Whats The Furthest Place From Here #9 cover a

Whats The Furthest Place From Here #9 cover a

$3.99
Quantity
VERY FINE/NEAR MINT
(W) Matthew Rosenberg, Tyler Boss
(A) Sweeney Boo
(CA) Tyler Boss
'HOW DID WE GET HERE?' And you may find yourself living in a record store. And you may find yourself in another part of the world. And you may find yourself behind the walls of an unknown city. And you may find yourself in a beautiful field, with a beautiful dog. And you may ask yourself, 'Well, how did we get here?'
Date Available: 08/24/2022
BONUS REVIEW by Kevin Healy


A 'done in one' story set in the punk rock dystopia of 'What's The Furthest Place From Here'. Spend the last night of relative safety with Sidney before he's cast out into the unknown.

The unknown is pointy.

This issue is drawn by Sweeney Boo, who has become a cover artist of note in the past year. I expect that should draw in some new readers. She has a pleasant style of cartooning, with a nice use of contour/negative contour to define her shapes. This looks like a fairy tale compared to a regular issue (including an eye gouge), but it reads with all the dystopian pleasure you've come to expect, and if you haven't read the title before you'll get everything you need to understand what you're seeing.


I give it 8 out of 10 Grahams


VERY FINE/NEAR MINT
(W) Matthew Rosenberg, Tyler Boss
(A) Sweeney Boo
(CA) Tyler Boss
'HOW DID WE GET HERE?' And you may find yourself living in a record store. And you may find yourself in another part of the world. And you may find yourself behind the walls of an unknown city. And you may find yourself in a beautiful field, with a beautiful dog. And you may ask yourself, 'Well, how did we get here?'
Date Available: 08/24/2022
BONUS REVIEW by Kevin Healy


A 'done in one' story set in the punk rock dystopia of 'What's The Furthest Place From Here'. Spend the last night of relative safety with Sidney before he's cast out into the unknown.

The unknown is pointy.

This issue is drawn by Sweeney Boo, who has become a cover artist of note in the past year. I expect that should draw in some new readers. She has a pleasant style of cartooning, with a nice use of contour/negative contour to define her shapes. This looks like a fairy tale compared to a regular issue (including an eye gouge), but it reads with all the dystopian pleasure you've come to expect, and if you haven't read the title before you'll get everything you need to understand what you're seeing.


I give it 8 out of 10 Grahams


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