 Marvels Project #3 Parel variant $16.99 Quantity
VERY FINE/NEAR MINT
Written by ED BRUBAKER Penciled by STEVE EPTING Variant Cover by GERALD PAREL The centerpiece of Marvel's 70th anniversary celebration turns a deadly corner, as Nazi spies infiltrate the secret US government's Super-Soldier Experiment... and while the Torch learns what it means to be both human and a hero, Prince Namor arrives in New York looking for nothing more than vengeance! Things really heat up this issue as award-winning creators Ed Brubaker and Steve Epting bring you the definitive in-continuity origin of Marvel! Date Available: 10/14/2009 BONUS REVIEW by JOHN ROBINSON  Ed Brubaker's one of my favorite writers. Steve Epting never fails to impress me, even with his art style leaning less towards Buscema nowadays and more towards Butch Guice. Chris Elipoulos letters blend perfectly as always. Plot line is fine, I only feel it suffers from the same problem that most comics stories that are told in the past have... We know the eventual outcome and the ride to get there isn't terribly exciting, in fact it's a bit slow paced. I really want to love this comic, and I'm trying, but there's no 'wow factor' here. It's okay, and really better than average - but I can't say I'm dying to read the next issue. Sadly, I give it 6 out of 10 Grahams VERY FINE/NEAR MINT
Written by ED BRUBAKER Penciled by STEVE EPTING Variant Cover by GERALD PAREL The centerpiece of Marvel's 70th anniversary celebration turns a deadly corner, as Nazi spies infiltrate the secret US government's Super-Soldier Experiment... and while the Torch learns what it means to be both human and a hero, Prince Namor arrives in New York looking for nothing more than vengeance! Things really heat up this issue as award-winning creators Ed Brubaker and Steve Epting bring you the definitive in-continuity origin of Marvel! Date Available: 10/14/2009 BONUS REVIEW by JOHN ROBINSON Ed Brubaker's one of my favorite writers. Steve Epting never fails to impress me, even with his art style leaning less towards Buscema nowadays and more towards Butch Guice. Chris Elipoulos letters blend perfectly as always. Plot line is fine, I only feel it suffers from the same problem that most comics stories that are told in the past have... We know the eventual outcome and the ride to get there isn't terribly exciting, in fact it's a bit slow paced. I really want to love this comic, and I'm trying, but there's no 'wow factor' here. It's okay, and really better than average - but I can't say I'm dying to read the next issue. Sadly, I give it 6 out of 10 Grahams |
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