Home / Spider-Man Noir #3 b&w calero var
Spider-Man Noir #3 b&w calero var
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2008 Marvel
4 Issue Mini-Series
VERY FINE/NEAR MINT
Written by DAVID HINE Art by CARMINE DI GIANDOMENICO Cover by PATRICK ZIRCHER Variant Cover by DENNIS CALERO
Young Peter Parker’s been given the power – but does he have what it takes in gritty 1930s New York? There’s only so much a kid like Peter can do against corrupt city politicians and slick gangland bosses. But when he gets unexpected inside info on the Goblin’s dirty dealings, it’s the chance of a lifetime for the Spider-Man to clean up the town!
Date Available: 02/18/2009
BONUS REVIEW by STEPHEN BANAS
So far this early 1930’s rehashing of Spider-Man’s infant stages has done just enough to keep itself interesting rather than being lost as just another poor origin story. Spider-Man Noir provides a gritty and seedy backdrop to aid the gangster motif that writer David Hine has washed over these familiar characters. Fabrice Sapolsky’s dramatic art style compliments this book fantastically and he really helps capture the emotion you need to keep the story driving. This particular issue lingered for a while, but the last six or seven pages took a strong leap forward and saved it from being a disappointment..
I give it 7 out of 10 Grahams
Written by DAVID HINE Art by CARMINE DI GIANDOMENICO Cover by PATRICK ZIRCHER Variant Cover by DENNIS CALERO
Young Peter Parker’s been given the power – but does he have what it takes in gritty 1930s New York? There’s only so much a kid like Peter can do against corrupt city politicians and slick gangland bosses. But when he gets unexpected inside info on the Goblin’s dirty dealings, it’s the chance of a lifetime for the Spider-Man to clean up the town!
Date Available: 02/18/2009
BONUS REVIEW by STEPHEN BANAS
So far this early 1930’s rehashing of Spider-Man’s infant stages has done just enough to keep itself interesting rather than being lost as just another poor origin story. Spider-Man Noir provides a gritty and seedy backdrop to aid the gangster motif that writer David Hine has washed over these familiar characters. Fabrice Sapolsky’s dramatic art style compliments this book fantastically and he really helps capture the emotion you need to keep the story driving. This particular issue lingered for a while, but the last six or seven pages took a strong leap forward and saved it from being a disappointment..
I give it 7 out of 10 Grahams
